The Holdovers Review | The Northern Film Blog

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Plot: A curmudgeonly instructor at a New England school remains on campus during Christmas break. He soon forms an unlikely bond with a brainy but damaged troublemaker, and with the school’s cook, a woman who just lost a son in the Vietnam War.

Film: The Holdovers

Director: Alexander Payne

Writer: David Hemingson

Starring: Paul Giamatti, Da’Vine Joy Randolph, Dominic Sessa

The Holdovers is set in a snowbound boarding school in the early 70s, telling the tale of those forgotten at the holidays. What could be a very somber story is in fact hilarious and heartwarming and will no doubt be an instant Christmas classic, despite releasing in the UK in January -which was nothing short of a crime. 

At the films core lies grumpy, reluctant protagonist, Paul Hunham, a classics teacher who is more pathetic than imposing. While he dazzles with his knowledge of ancient history, his presence in the school is one of constant mocking, his physical appearance earning him the nickname Walleye. Paul is tasked with overseeing a group of lonely students who will be ‘holding over’ at Barton during the holidays, these ‘Holdovers’, and one in particular will take old Walleye on a journey of unexpected twists, blending moments of humor and tragedy.

Giamatti’s portrayal of the eccentric Hunham is akin to a masterful experiment, yielding results far more delightful than anticipated. As Hunham’s icy exterior gradually thaws, revealing his inner vulnerability, Giamatti’s performance captivates, drawing viewers into a love-hate relationship with the character.

But “The Holdovers” isn’t solely Giamatti’s show. Payne introduces a host of memorable characters, from the troubled student Angus, played by newcomer Dominic Sessa, to the grief-stricken school cook Mary, Da’Vine Joy Randolph who effortlessly steals any scene she’s in. Their interactions evolve organically, for a narrative that feels authentic and engaging.

Set against the backdrop of the 1970s, Payne captures a distinct atmosphere, despite the era’s cultural vibrancy, the characters find themselves trapped in a dreary existence. While Payne’s film may sound somber, it’s anything but. Each performance is finely tuned, and the craftsmanship is impeccable, resulting in a film that transcends mere awards fodder. The Holdovers is brimming with charm and heart, offering a story to be cherished.

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